Poetry Assumptions of Love, Sex

10-12 page paper (double spaced) on 21st century American/Western culture assumptions of love and the crisis around it versus 17 century English context ideologies of erotic love.
How did they have different assumptions (e.g. mechanisms, obligations, categories of love — self-love, erotic love, love for God)? What was the role of these poets in the evolution of the idea of romantic love, and how did the gendering of love function? Explain and illustrate the different instances where these alternative views manifest themselves in specific poems, how it gets signaled/flagged by certain actions or keywords that we would automatically know it’s referencing an emotion or vibe, and how we would interpret this in the modern era of love. Use both modern poetry about love and 17th-century poetry, mainly from John Donne. The crisis around love may be interpreted in multiple instances including the loss of a loved one, sexual behavior, self-love, love for God, love for nature, etc.
How erotic rejection was responded to and dealt with in 17th-century poetry versus how it would be processed/understood now. For example, keywords (e.g. thirst, erotic, ecstasy) meanings in the 17th-century English context versus how they would be interpreted now.
ALL modern/21st century poets must be cited using footnotes or endnotes, using any of the standard citation systems (MLA or APA). If you use any sources apart from the poems in the document below (excluding any John Donne poems as they are widely found online and a majority of the basis of this paper), you must cite those sources in footnotes or endnotes, using any of the standard citation systems.

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